Monday, 5 October 2009

The Black Angels - Passover (2006)


From: USA
Genre: psychedelic rock
Year: 2006
Label: Light in the Attic
Myspace
Review: Walking in the shadows cast by Spacemen 3 and Spiritualized mastermind Jason Pierce is a dangerous pastime. Narcotic space rockers who admire that cantankerous icon often risk sounding like they're wandering aimlessly in the celestial realm or hiding behind walls of droning guitars and forsaking structure and melody. However, along with their peers in the Warlocks and Black Mountain, Austin's Black Angels have avoided those pitfalls and made a stunning record that will undoubtedly top a zillion "best of" lists at the end of 2006. Their self-titled debut EP (also on LITA) was acclaimed upon its release last year, and though this proper full-length features three of the four songs appearing on The Black Angels, hearing them stretch out fully and utilize thoughtful sequencing makes for an even more satisfying listen.

Working with a solid flooring of Stephanie Bailey's creative, purposeful percussion, and elevating majestically via Nate Ryan's crystalline, acrobatic guitar playing, the quintet breaks new ground for sensual, neopsychedelia, alternating adroitly between Velvet Underground–like dirges ("Bloodhounds on My Trail"), acid-soaked spirals of colorful pop ("Manipulation"), and menacing dirges that recall 13th Floor Elevators' most lucid moments ("The First Vietnamese War"). Vocalist Alex Maas sounds like a clearer-throated version of Clinic frontman Ade Blackburn, and drone dame Jennifer Raines unfurls enough blood-curdling organ to disturb a mortician. Black Angels close things on a simple, somber note with a hidden track featuring Maas singing alone with only a tautly strummed guitar, offering solace to a dead Iraqi soldier's mother. By Hannah Levin.

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